About MrSimonTaylor

Former psychology student turned full time entertainer. My main goal in life is to be referenced. You can quote me on that. Follow me on my journey in creating and sharing engaging entertainment.

Gig update, Melbourne.

The Super Serious Show

(Photography by Rebecca Adler Rotenberg - www.rebeccaadlerphoto.com)

Here’s where I will be doing spots and what not for the next couple of weeks in Melbourne.

13th May: LOL Comedy – The Provincial Hotel, Fitzroy
13th May: Funny at the Brunny – The Brunswick Hotel, Brunswick
14th May: LOL Comedy – The Local, Port Melbourne
15th May: LOL Comedy – The Portland Hotel, CBD
16th May: Commedia Dell Parte (MC) – George Lane Bar, St Kilda
17th May: Comedy @ The Dan – The Dan O’Connell, Carlton
20th May: Local Laughs – The Local Taphouse, St Kilda
21st May: Bazaar Tales – The Horse Bazaar, CBD
21st May: Carlton Comedy Club –  Clyde Hotel, Carlton

No use crying over thrown beer.

Tonight I had both the most beautiful and the ugliest gigs I’ve ever done in my life. All in the space of an hour.

It’s 3am. I’m exhausted. The flurry of intense emotions have departed my body, leaving a wilting fatigue in my bones. I should go to bed.

Fuck. I haven’t felt such regret and disappointment in myself for so long. I had forgotten what it was like. I catch myself grinding my teeth. My stomach hurts. There are red lines around my eyelids from the salt in my tears. I’m trying to process this all before I let my dreams get to it.

At 8pm tonight I had finished my solo show for that evening. Pleasant night. Good audience. Good times. I then rode my bike through the warm Melbourne air to partake in a line-up show called Darkness and Light. This is a stunning concept show where a handful of comedians share personal stories of dark subject matter to a captive audience and comedy peers.

The first act was Cy Fahey. I’ve gigged with him before in Canberra. Funny. Tonight his jokes were only the icing sugar sprinkled over a traumatic story centred on his friend’s drug overdose. The darkness of the subject matter was delicately interwoven with humour to create a thrilling and sad account of his experience. This was soon followed by Candy Bowers who spoke with a warm smile and heavy heart about the difficulties of the relationship with her father. I was long on the edge of my seat with my hands clasped over my mouth. Seeing my colleagues open up brought a shining glaze to my eyes.

It was then my turn. I hadn’t rehearsed. I hadn’t written gags. Pulling a chair up onto stage, I sat and recounted a story of an autistic child I used to work with. I’m not sure if it’s in part because I was already overwhelmed by the previous acts but I couldn’t hold back the sadness pouring down my cheeks as I recounted the young boy’s mental struggles.

It was unexpected. The story had been swelling in my heart for years. I never recognised how much it had affected me until now. Doing so felt like an internal concrete wall had ruptured, letting a dam of emotion gush out into the room.

After the gig I thanked Cath Styles, the show creator, for the opportunity to have such an experience on stage. I recommend you see this show. It allows comedians to take off their comedy armour and just be human. Something I feared and now appreciate.

Instead of going home, I did what I usually do: another gig. I was at the Exford Hotel at 11:30pm; a rough spot at a seedy pub in front of crowd of the drunk and the restless.

Mistake.

I asked to go on first so I could head to another gig straight afterwards. Festival time is where I like to cram in as much stage time as possible. Like a gym junkie on a limited membership.

exford

The bar was noisy as usual. The MC had a tough time with a group of guys up the front.  One man in particular, wearing a checkered shirt and black tie was, was being utmost drunk and obnoxious (two standard audience member characteristics you will find at these gigs). Checked Shirt talked to his friend continuously and threw out malicious heckles as if this whole show had been put on for him.

Side note: comedians, like myself, continue to do these erratic late-night spots for two main reasons:

1) it builds our skill as stand-ups

2) we’re sadistic idiots

I was up first after the MC’s decision not to dwell on Checkered Shirt and just let the night start moving. My set started okay. The joy I derive from these spots is the puzzle-like nature of trying to win over a rowdy crowd. It’s a fast and furious battle for attention, focus and laughter. I ignored obnoxious Checked Shirt for the first few minutes. Then as I was getting some traction with the crowd I turned to him and yelled “shut the fuck up!”. This is a line that one usually delivers with authority and control to establish dominance. When I heard it come out of my mouth this time I felt like I had been dunked into a glass water tank filled with rage. I could only see and hear what was going on through a blurry glaze of anger.

I took a deep suck of hot oxygen and continued with my jokes, feigning a grin and focusing on the routines.

Checkered Shirt then had another go at me for having heard one of my jokes before and yell that it was “not that funny”. I asked the audience if they liked it. Unanimous cheer. I asked the audience if they didn’t like the guy. Unanimous cheer. I won.

The mic went into the stand. “Thanks my name is Simon Taylor” bellowed out of the sound system. Just before I walked off the stage, I saw my hand move towards Checkered Shirt’s jug of beer. I don’t know who was controlling it because it wasn’t the Simon Taylor I know. The possessed hand pushed the jug towards Checkered Shirt, splattering him with beer. He threw it back at me and missed as I walked off stage.

I lost. I let him get to me.

Standing outside, my dear comedian comrade, Sean Bedlamchecked that I was alright. Checkered Shirt came out too because the MC kicked him out. He apologised to me, claiming that he just thought he was doing “helpful heckling”. This is a term only drunk assholes seem to understand the meaning of. Despite an exchange of saying sorry and shaking hands, I felt no change in emotion.

People I rode past on the way home would have experienced a strange sight of a tired young man in a cardigan swearing to himself.

I feel more settled now but still disappointed. Not a proud moment. There were other comics on the Exford line-up and I had made their life harder. I messaged the ones I knew and apologised. This was not an appropriate way to manage my emotions. I know not to take this gig too seriously, but I wish I had recognised that I wasn’t in the right head space for it tonight.

It was a painful lesson learned on assessing one’s mental and emotional state. If I could do it all again I would hope to realise my need to recover from the Darkness and Light show. I hadn’t been this much of an emotional ruin in such a long time so I had missed the signs that I should withdraw from social activity.

Looking forward, I’ll be back on at the Exford tomorrow night. And again and again after that. I suppose the only way to grow and learn is to reflect on times of weakness and try to better equip oneself for the future. Tomorrow I will dedicate to sleep, good food, friends and happiness.

It’s been quite a comedy festival.

Reviews for 1 Man Debate at Melbourne International Comedy Festival

So the reviews for my show are in. Hope to see you in the next week!

“Your heart will flip, spin, sigh, cheer and burst with laughter as you watch Taylor put an interesting theatrical spin on comedy.” – Herald Sun

“A witty, cleverly crafted and stylishly delivered comedy show.” – Crikey 

“Taylor is a slick performer with skilful, self-deprecating humour and a sly wit that mesmerises his audience.” – Concrete Playground

7pm Trades Hall (6pm on Sunday). Tickets here or buy at the door.

I before E except when your jokes get stolen.

I was so close to letting this go. I may not take legal action but god damn it I’m writing a blog post to at least document the story.

Here it is.

On Oct 27 2010 I came up with an idea for a joke about “i before e” being a stupid rule. I did this because I’m a terrible speller and wordplay is big part of my Twitter feed. I researched exceptions to this rule and wrote this Tweet:

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It did pretty well considering the amount of followers I had at the time. The next incarnation of the joke came in December 2011 when I created a Redbubble account and made a t-shirt of the gag.

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(Redbubble is basically an online marketplace for creatives).

The t-shirt sales made me some dollars, enough to pay a bill or two. For a writer this is an exciting prospect for a web joke. It gives me hope that this skill I’ve built won’t be treated like a tissue for people to use when they want and then thrown away without care. Words can have value and power, such as “I have dream”, “Hope and Change” or “try not to pee on the carpet”. My ability to craft ideas from the English language has value and I make a living out of it.

But I digress.

On October 17 2012 the grammar website “Grammarly” (who are surely critiquing this right now) posted an image of the t-shirt with a credit to me on it with a link to my Redbubble. Legends.Image

Good on them. They shared a joke and referenced me. Totally fine as far as I am concerned. Facebook pages are about sharing things so that customers, clients, friends and family know where your interests lie. A smart idea for a company, done respectfully.

This is where it gets tricky. The success of Grammarly’s post, receiving over 30 thousand shares, meant that it was far more susceptible to web plagiarism. As I write the phrase “web plagiarism” I feel pretty uninspired to do anything about it. The benefits of idea sharing on the internet come with costs. It’s up to the individual to determine whether those costs are worth chasing.

Next I’m being informed by my dear followers on Twitter that people on Tumblr are sharing the joke without referencing me.

tumblr

This one’s a little annoying because it’s so popular without fulfilling my need for validation. If I put my feelings aside though, it’s still interesting to see that this blogger is willing to post uncredited work next to a “Donate” button. Hmm.

Still, I let it all go. By this stage I had already become a writer for The Tonight Show with Jay Leno. Stop bringing it up, guys. Thanks. My career as a jokester appears to be working out and I have Twitter to thank. I don’t believe I would have been able to send Jay two pages of topical gags when he asked for them, if I hadn’t spent years writing internet jokes. C’est la vie.

Cut to yesterday. The wonderful writer and illustrator, Sarah Ellerton, informed me that QI (a British gameshow headed by Stephen Fry) had now Tweeted the joke without attributing it to me.

qi tweet

How would they have known though? The line had become viral and lost my credit ages ago. No biggie. Kind of cool. I write for Leno.

[UPDATE: QI got back to me on Twitter, see here]

Then these were brought to my attention.

amazon Skreened

Oh no they didn’t! *snaps fingers in a racially insensitive way*

So what started as a silly tweet became people selling my work without permission, accreditation or compensation. In a world of internet content saturation, I’m not surprised and barely inclined to do anything about it other than share the story.

What next? I don’t know. I’ve spent enough time and energy on this post let alone writing formal complaints to Amazon and the like. Perhaps I will. Perhaps I won’t. In the long term I feel that I’ll be better off just investing my brain power into more creating. That’s what I enjoy. Whinging, complaining, accusing or threatening to sue, make up none of my favourite things. What makes me happy is waking up and writing funny things. As long as I can do that and not starve, I think I can handle the odd joke being used without my credit or compensation. Then again, I could always take Jack Post‘s advice to me and “write worse things and then people won’t steal them.”

Good advice Jack.

A Condiment Joke.

A jar of jam is sitting next to a stick of butter. The jam looks over at the butter and says

“Hey Butter, how are you?”

“Not so good, to be honest.” Says the butter.

“Oh really, what’s wrong?”

“Well,” sighs the butter “I’ve just been trying to keep up with all these new breads and biscuits. Yesterday I covered the toast for breakfast, then I had to cover the wheat crackers for morning tea. Come lunch time I didn’t even get a break as I had to cover two sandwiches.”

“Two sandwiches!” Exclaimed the jam.

“Yes, two sandwiches. Then in the afternoon it got even more hectic. I covered a baking tray, which really took it out of me. I didn’t get a break for dinner as I went straight into covering roast potatoes. I can’t believe the day I had. Just when I thought it was over I had to cover late-night pancakes. Pancakes at 11:30 at night! Could not believe it. Everything has just been so exhausting and I’m having trouble keeping up. I don’t know what happened. I used to be able to handle this sort of thing. Now one big day and I’m a mess. I look terrible. I feel terrible. At this rate I’m not sure I can make it through the week.”

The jam gives the butter a sympathetic look and says “Oh my. Sounds like you’re spreading yourself too thin.”

Permission to Be Odd – Adelaide Fringe 2013

It’s the last day of Adelaide Fringe and the weight of exhaustion is hanging off my eyelids. I can’t speak without a rasp. My shoulders ache with the pain of a thousand speckies. I have blisters on my heels from the time I gave a girl that I have a massive crush on my socks to wear. I haven’t been to a supermarket in a month, I’ve purchased enough bottles of water to fill a small aquarium and I dare not login to my bank account in the fear the screen will suck me into a vortex of credit card debt.

Most notable of all, I can’t remember being happier.

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The Adelaide Fringe is cocoon of creative flair and nocturnal folly. For a few weeks each year the city grants its locals and vistors permission to be odd. I’ve seen skinny men in suits bend backwards far enough to kiss their own bum, heard beatboxers make inhuman sounds, danced amongst glitter covered zombies in a Halloween themed drag show, binged on baked goods between the hours of 2 and 6am multiple times and walked through the streets during peak hour traffic in a lion onesie.

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These experiences sit comfortably in the context of Fringe celebrations. Over the course of the festival I’ve been so swept up in this Adelaide mischief that only today I remembered I have adult responsibilities to return to tomorrow. Despite this being my third year in attendance, in honesty it’s the first year I’ve let myself enjoy it all.

In the last two years I’ve brought my solo shows to the Fringe with a painful amount of seriousness. When starting out as a performer one’s ego can be untamed and ambitions ill-considered. In 2011, I remember making strident complaints after a show about an audience being too quiet. To my much needed shock, a reviewer overhead this gripe and published it. Last year, when searching my own name in a Twitter search (I know, I think it’s sad too), I was nearly brought to tears by a vicious Tweet about my show. Both years I would sulk my way home after shows, neglecting the Artist Bar filled with interesting people, just to stew in my own vanity and plot my future in this career.

Perhaps it’s maturity or perhaps I’ve just gotten over myself a bit but I’m getting much better at just enjoying life. This year’s Festival for me has been marked by one key difference: friendships.

There have always been caring and lovely individuals around me. In Melbourne, life can be fast paced to the point that you spend all your time trying not to miss out on anything. I see even my best friends only once every couple of weeks. Adelaide Fringe after three years has broken my social shields and obsessive work ethic, allowing the people I meet to affect me more. Where in the past I would often withdraw to my writing at home, I’ve now let myself experienced things I never thought I would do.

Some of the most intelligent, warm, charismatic and wonderful human beings stroll around this festival. I’m proud to say that getting to know many of them has made me less self-focuses this festival and more open to a world that has always been around me. So this post is a thank you to the people who gave me permission to be the odd person that I am while in their ever so awesome company. Alise, Brianna, Bart, Sarah, Karina, Milly, Amy, Heidi, Jackson, Guy, Andy, Hoops, Frisky, Dan, Sharon, Tommy, Neil, Jon, Bok, Claire, Nick, Dave, Claire, Tommy, Matt, Barry, George, Hannah, Reece, Mannish, Damon, Gillian, Damian, Fraser, Enrico, Fleety, Danielle, Merve, Ryan, Patrick, Jon, Alexandria, Abs, Sean, Belinda, Angie, Liz, Dave and Imaan I love you like a vegan loves quinoa.

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So as the Festival evaporates into a cloud of Facebook photos and memories, I will look back on it all as a reminder to be open to discovering new relationships and exploring current ones. For now I’m just happy I’ve let myself be happy.

:)